The Hindu, Feb 21, 2013
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Pulse, Winter 2012
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www.narthaki.com, April 26, 2012
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The Deccan Herald, Feb 13, 2012
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The Hindu, Dec 28, 2011
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www.narthaki.com, Dec 23, 2011
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Time Out Bengaluru, Dec, 2011
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The Hindu, Jan 27, 2011
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Amudha Surabhi, Feb 2010
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Devathai, Feb 1-15, 2010
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The
Hindu, Jan 2010
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Carnatic
Durbar 2009
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The Hindu, 2008
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Sangamam
- Read articles:
San
Jose Mercury News ; In Dance
SF
Weekly ; Thendral
|
Collaboration
with
other
Bharatanatyam experts
Nov
2003
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Bharati
in Bharatam
San
Jose Mercury News
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The
making of
'Silapaddikaram'
- 2001
|
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Amudha
Surabhi
Cover,
1999
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Kalaimagal
Cover,
Dec 1996
|
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The
Week
1995
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Bay
Area Debut -
India
Currents, 1992
|
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Kalki
Cover,
22 July 1984
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Rasika
Ranjani Sabha
Cover,
Dasara 1984
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PRESS QUOTES
he varnam, the acid test for Bharatanatyam
dancers,was gracefully characterised by her fluid movements, well sustained
with aesthetic and charishmatic appeal. Her laya techniques found winsome
expression through captivating theermanams executed with skill and intution.
This widely travelled and vibrant performer has it in her to march forward
progressively in the days to come. - Indian Express
heart warming, impressive recital
of Vidya Subramaniam Sridhar, prsealed her as a refined artiste and a charming,
bright star in the existing network of dancers who are climbing up the
senior level with quality and genuine skill. - The Hindu
he varnam in Nattakkuranji in the
taut lines of the dance and the savoured abhinaya treated one to the complete
dancer. The nrtta never flagged in maintaining the physical contours of
Bharatanatyam profile. But nothing could beat the aching sweetness of love
in the Ashtapadi. The unhurried treatment and the total internalisation
of emotive energy owed much to the dancer. - The Hindu
idhya Sridhar, a noted name in the
classical dancing world, once again gave a stunning display of her mastery
of Bharatanatyam dance form. Vidhya's vibrant execution of jathis and intermingled
bhavas made her performance a sheer delight. - India Post, California
vidence of the cumulative resources
and commitment to the ideals of high aesthetics, which are the hallmark
of the Vazhuvur tradition, was aplenty in the beautiful Bharatanatyam recital
of Vidhya Sridhar. Her dance was a powerful and sustained love-pact between
the dancer and her material'.- Indian Express
idhya was beautiful and her dancing
too was beautiful because she let lasya rule her performance. - The
Hindu, Madras
he rich grace in 'adavus' and striking
sense of the aesthetic made her recital memorable. The concluding 'Tilang
Tillana' of Lalgudi Jayaraman in a medium tempo was an enchanting finale.
- Times of India, Bombay
lessed with an entrancing stage presence,
she has the most telling eyes, long-fingered articulate hands, slender-waisted
excellent proportions and a very pleasant expression. Vidhya's performance
was characterized by grace and a fine grasp over the mathematics of rhythm.
- Patriot, Delhi
he has equal felicity in abhinaya
as in nritta as was evident in the interpretation of the Pantuvarali piece
"Netru Varenendru". But Kanakadasa's composition "Baro Krishnayya" stood
out as the best part of her exposition. - The Hindu, Madras
idhya is full of promise and dances
with grace and elegance. Her performances were deeply appreciated by the
international audience. - Prof. Nurul Hassan, Past Indian Ambassador
to Russia, after the World Youth Festival in Moscow
idhya's dance brightened the occasion.
Within seconds of her entering the stage, she convinced the connoisseur
that her talent belongs to the uncommon category. She went through the
highly stylized movements of Bharatanatyam with a delicate touch of artistry
that made them all look easy and natural. - The Hindu, Madras
he gave a brilliant interpretation
to the Useni Varnam. Fleet-footed and confident of rhythm, and with her
expertise in abhinaya, she impressed. - Subbudu, Indian Express, Madras
t seemed as if an Apsara had descended
from the heavens and brought down with her the magnificence of Bharatanatyam
from the gods to the delight of humans. - Nation, Nairobi